The Walled City Gates – Transit from one age to another

The walled city in India can be found across the country. Their age varies from the ancient (Harappan age) to the modern (British age). But the physical walled city disappears in no time. As populations rise, people spill over to live outside the city. Walls are demolished and the city area expanded to cover the new colonies. And every now and them, some superior power comes in and conquers the city and in the process of leaving one’s mark, the conqueror will create a new walled city and the old one will either be subsumed into the new one or be simply abandoned. Delhi has had its share of walled cities and one can easily remember the dynasties that ruled Delhi by looking at the listing of all those sites.

In post-independence India, the crush of ever increasing population, both through higher birthrates and even higher migrations has made these walls and gates an impediment to urban expansion and renewal. Bombay lost its walls in the 19th century itself when the British increased their holdings there. In the soot and grime of the city, these old walls look no different from the decay and dilapidation of urban housing, the only difference being that the more modern urban structures, one can say, can collapse on their own, given the quality of civil engineering and materials used these days. The old walls, however, still remain and will continue to remain till someone takes a stick of dynamite and blows them up. Remember, these walls were meant to withstand the blows of battering rams and cannon fire.

The city of Aurangabad came to being in the 17th century with Malik Ambar (a most fascinating gentleman who easily fits into any rags-to-riches story template – I am gathering various literatures about him and will do a post on him and the different places associated with him) and kept evolving with interventions by Emperor Aurangzeb, the various Nizams of Hyderabad and more recently by the local city and state governments. Over this period of evolution, Aurangabad has had over 52 gates. It was not just one large walled city but a network of walled suburbs and mohallas linked to each other through these gates and bridges (puls).

Aurangabad, July 2014

Off the 52 gates, there are four which are on the cardinal points. The gate facing North is obviously called Delhi Gate. In the same manner, the gate facing west (in the picture above) is called Makai or Mecca Gate. There’s a cannon fitted on top of the gate. The biggest threat to the city came from the west, the Marathas. A photographic census of some of the surviving gates of the city are available in this blogpost by Neha Kulkarni (which I found through a Google search).

As a traveler, the fun of visiting old walled cities is to see the shifting age. There is a clear change – in the language, the manners of the shopkeepers, the signboards, the people and of course, the physical cityscape that one gets to see. It is not necessarily cleaner, rather, in most places, it is filthier, more crowded and full of noise. One of the best places to experience this transition is to go look at the markets in the walled cities. The old signboards promising products of days gone by, their descendents doing trade in almost the same products, displayed on their shelves, each item an antique, a relic in itself.

Kalaghoda, February 2014

In Bombay itself (above picture), new age designer boutiques occupy the 19th century structures which have been given a nice coat of paint. Sharing a street with a synagogue which is a regular stop on the popular Kalaghoda Heritage Walk, these designer boutiques try to blend in with retro interiors, shop lighting and their display signs, all of which designed with excruciating detail. Had they been located in the more modern malls, they would obviously have taken a different approach to their shops.

In the Deccan Peninsula, my favourite historical haunt, there are a number of walled cities which live two lives – Bijapur (I wrote about Bijapur’s twin identities last year), Bassein / Vasai, Hyderabad, Belgaum, Pune, Ahmadnagar and so on.

Bijapur, March 2013

I really enjoyed exploring the old parts of Bijapur, especially streets like these – a typical gate at the end of the street and extremely quaint houses lined on both sides. While the gate in the distance is from the 16th century, the houses themselves are more recent – early 20th century – a very clear example of the continuous evolution of a city.

Back in Aurangabad, while walking, I came across this junction (picture below) where Dr BR Ambedkar stands tall and points the way to the university which is named after him. And on the entrance is a gate. This gate serves as a different transition point, I suppose. It takes you from the big bad world into the dreamy world of students and their lives.

Aurangabad, July 2014

The 52 gates of Aurangabad does not include this gate though. But it should. There is nothing which says modern day structures cannot be considered as part of the history.

Mumbai – Photo Collection

This is a collection of different views of Mumbai.  Unlike most photo essays of Mumbai, I am quite happy to go into the suburbs and take pictures.

This, for example, is a picture from one of the sets in the collection – Public Spaces.

Powai Lake Promenade, June 2013

The Powai lake and the area around it was, till a few years ago, part of the extended forests that are now fall under the Sanjay Gandhi National Park. That leopards and panthers still stray into these areas gives you clues about the loss of habitat of these biggish cats. So this promenade around the shore of the lake is, in a way, the edge between new age urbanisation and the legacy natural habitats of wild life.

The waterfronts of Mumbai, whether sea facing, lake facing or creek facing, are the most expensive chunks of real estate in the city (and possibly in the country). The creek side is still underdeveloped because of the mangroves and the general lack of interest of anyone to find an economic model to drain those swamps and put up high rises. However, as a public space, the swamps / mangroves do not fail the citizen nor other animals. The Sewri mudflats fall on the wintering migrations of the pink flamingoes.

View of the Worli Sea Link from Haji Ali, July 2013

But iconised in Hindi films and a part of every citizen’s life whichever part of the city he or she may be from is the sight of the Arabian Sea falling over the western promenades from the Gateway of India up to Versova during the monsoons. On a clear day, the tail end of the Bandra-Worli Sea Link can be discerned. In the midst of heavy rain and general lack of visibility, in the picture above, all one can see is a faint greyish smudge behind 5 foot high white surf.

The streets:

Bandra, December 2012

And I think the city needs more of such touch ups to the walls on the streets.

Beyond Mumbai

Dahisar River, flowing through Borivili National Par, Mumbai, December 2011

There’s a rare unpolluted part of a river flowing within the municipal limits of Greater Mumbai.

Stalls and Balcony seats

Just 6 years back, I had been a regular at single screen theatres given that there was one 500 metres from my house in Chembur. But then it was sold off and the new buyers did what is the standard norm – tear it down and build a mall with a multiplex. The construction is still on at this place and I have no idea when it is likely to become operational. Of course, the implications are clear – from paying Rs 30 for a ticket to paying Rs 250 per ticket (irrespective of the quality of the film).

This piece on the old single screen cinema houses in south-central Mumbai evokes many memories and nostalgia.

For Rafique Baghdadi, a film and music buff and social historian, the theatres of this area still stand as photographic landmarks in his memory: “There were around 19 theatres within that 1-mile radius. You start in Girgaon with National (now Moti Talkies), also once Dargah Talkies, go up the road to Kamal (now the recently defunct Alankar); on the left is Silver, then comes Gulshan, New Roshan and you end with Alfred (once Ripon). Opposite Alfred was Victoria, which was renamed Taj Talkies before being razed. Further down, near the Parsi Fire Temple, was Daulat (which does not exist any more). Daulat was originally the Baliwala Grant Theatre, owned by the great comedian Khursetji Mehrwanji Baliwala. Further down what is now Maulana Shaukat Ali Road was Royal, and opposite it is Nishaat. Down the road, towards Grant Road Station end, begins Shalimar, opposite which are Super and Novelty. Take the left and you will come to Imperial, Naaz, Swastik, Majestic (where Alam Ara was screened and which does not exist any more), Lamington (now Apsara), Minerva (now a hole in the ground) and Dreamland (once Krishna),” says Baghdadi.

Okay, need to find a holiday day off and go photo-walking in this area.